See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

10 Escudos

Issuer Banco Nacional Ultramarino
Year 1945
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size 146 × 77 mm
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering BANCO NACIONAL ULTRAMARINO DECRETO No. 17.154 CABO VERDE COLÓNIA PORTUGUESA DEZ ESCUDOS LISBOA, 16 de NOVEMBRO de 1945. BARTOLOMEU DIAS
(Translation: National Bank Overseas Decree no. 17,154 Cape Verde Portuguese Colony Ten Escudos Lisbon, November 16, 1945.)
Reverse description Purple and green intaglio and letterpress print. A central allegorical vignette portrays a seated female figure gazing toward a harbour scene with sailing vessels and a steamship at centre; two large denomination numeral counters enclosed in elaborate guilloche rosettes flank the vignette at left and right. Scrolling ribbon banners carry the bank name across the upper portion of the note, with the printer's imprint along the lower margin.
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Bradbury, Wilkinson produced this note for Banco Nacional Ultramarino, the Lisbon-based institution that held a monopoly on currency issuance across Portugal's overseas territories throughout the colonial period. The specific territory of issue isn't recorded in standard references for P#42 — BNU operated across Angola, Mozambique, Cape Verde, São Tomé, Portuguese Guinea, and Timor, and used near-identical series architecture across multiple colonies simultaneously, which creates persistent cataloging ambiguity for notes where the destination territory isn't overprinted or otherwise differentiated.

Bradbury, Wilkinson's intaglio work for BNU in the 1940s was technically accomplished but the notes were prone to edge splitting along the short dimension under tropical humidity conditions.

YOU MAY ALSO LIKE