Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Banco Central (Colombia) |
|---|---|
| Year | 1900 |
| Type | Standard circulation banknote |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Black intaglio print on white paper with ornate guilloche borders. Left vignette shows a seated allegorical female figure with agricultural implements; central oval portrait of a bearded gentleman in formal attire flanked by large numeral 10 counters. Issuer name and denomination in letterpress above and below. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | P#S369 - Specimen / Muestra |
| Comments |
Colombia had no functioning central bank in 1900 — Banco Central was one of several private banks authorized to issue currency under the country's free banking arrangements of the late nineteenth century. The timing matters: 1900 falls squarely within the Thousand Days War, the brutal civil conflict between Liberal and Conservative factions that devastated the Colombian economy and triggered massive note overissues across every issuing bank in the country. Whether this particular issue circulated normally or was caught in the inflationary chaos of wartime is an open question, but survival rates for Colombian private bank notes from this period are generally poor.
ABNC printed for numerous Latin American issuers simultaneously, and the plates were often shared or adapted across institutions. Worth checking the margins for the engraver credit, which may indicate a borrowed vignette design.