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10 Roupies Rupees
| Issuer | Banque de l'Indochine |
|---|---|
| Year | 1874-1910 |
| Type | Log in to see details |
| Value | 10 Rupees |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | BANQUE DE L'INDOCHINE இந்து - சீனத்து பாங்க் DIX ROUPIES payables en especes au porteur TEN RUPEES to be paid on demand to bearer |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Watermark |
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| Variants | Log in to see details |
| Comments |
Banque de l'Indochine was established by French imperial decree in 1875, and this note — denominated in both roupies and rupees to serve the French trading settlements on the Indian subcontinent, primarily Pondicherry, Karikal, Mahé, Yanaon, and Chandernagore — predates or coincides with the bank's founding year, suggesting the authorization and plate preparation ran ahead of formal operations. The dual-language denomination was a practical concession to local commerce rather than any symbolic gesture.
Bramtot was a Prix de Rome painter; his involvement signals the ambition Banque de l'Indochine had for its early printed currency. Wullschleger's engraving was executed in Paris, almost certainly at a major security printing house, though the specific contractor is not confirmed in the plate credits.