Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Schweizerische Nationalbank |
|---|---|
| Year | 1910-1917 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Cotton paper |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Engraved in dark brown and olive tones, the reverse is centred on a large intaglio vignette of an industrial foundry scene with workers operating heavy machinery around a massive casting, executed in the fine line-engraving tradition associated with Waterlow & Sons. Ornate guilloche columns on each vertical panel carry the bank's trilingual name, while the denomination numeral '1000' appears in all four corners. The printer's imprint runs along the lower margin. |
| Reverse lettering | Log in to see details |
| Signature(s) | 01.01.1910 - Hirter / Kundert / Chevallier 01.01.1910 - Hirter / de Haller / Chevallier 01.01.1910 - Hirter / Burckhardt / Chevallier 01.01.1914 - Hirter / Kundert / Bornhauser 01.01.1914 - Hirter / de Haller / Bornhauser 01.01.1914 - Hirter / Burckhardt / Bornhauser 01.01.1917 - Hirter / de Haller / Bornhauser 01.01.1917 - Hirter / Burckhardt / Bornhauser 01.01.1917 - Hirter / Jöhr / Bornhauser |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
Switzerland's first nationally unified banknote series, the Nationalbank having only been established in 1907 to replace the chaotic system of cantonal and private bank emissions. This 1000 Francs note was among the highest-denomination instruments the new institution issued, printed by Waterlow & Sons in London — a common arrangement for continental banks that lacked domestic security printing infrastructure capable of meeting the required standards.
Eugène Burnand was a Vaudois painter of some distinction, better known for religious and pastoral oils than for currency design. The engraver credit to Drummond places the intaglio work firmly in Waterlow's London operation. Multiple signature combinations across three dated printings reflect successive changes in Nationalbank board composition, not separate print runs in the conventional sense.
The series was ultimately withdrawn and replaced, with surviving high-denomination examples rare — the 1000 Franc face value ensured these circulated little and were carefully handled when they did.