See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1/8 Stater Muschel Type

Issuer Boii
Year 200 BC - 1 BC
Type Standard circulation coin
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Convex, highly irregular and essentially uninscribed field exhibiting a deeply textured, undulating surface characteristic of Celtic Muschel (shell) type fractional gold coinage. The flan surface displays flowing, rippled ridges and furrows across the entire field, reflecting the abstract, stylized aesthetic of late La Tène Celtic goldsmithing. No figurative device or legend is present; the design is entirely non-representational. The irregular flan edge is typical of hand-struck Celtic quarter- and eighth-stater denominations.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Plain
Mint Log in to see details
Mintage Log in to see details
Additional information

The Boii occupied a vast territory stretching from Bohemia into the Po Valley before Roman military pressure and, critically, a catastrophic defeat by the Romans in 191 BC effectively destroyed them as a coherent political entity in Italy. Their gold coinage — struck in fractional denominations like this eighth-stater — was already a reduced, abstracted evolution of Macedonian prototypes that had filtered north through trade and mercenary service. The Muschel type takes its name from the shell-like curl that the obverse motif degenerated into over successive die generations, a process of stylistic drift that itself helps sequence these otherwise undated issues.

YOU MAY ALSO LIKE