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| Issuer | Reserve Bank of Australia |
|---|---|
| Year | |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Paper |
| Size | Log in to see details |
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| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Central vignette of David Unaipon (1872–1967), Ngarrindjeri preacher, inventor and writer, reproduced from the circulating $50 note design. Chinese characters at right read "Not for circulation," identifying the note as a teller training piece. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Central vignette of Edith Dircksey Cowan (1861–1932), Australian politician, social campaigner and the first woman elected to an Australian parliament, reproduced from the circulating $50 note design. Chinese characters appear at left, further marking the note as a non-circulating teller training piece. |
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| Signature(s) | Log in to see details |
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| Comments |
Training notes issued to bank tellers are rarely collected with any seriousness, which makes the Australian examples unusual — the Reserve Bank of Australia produced them with enough fidelity to genuine currency that they required overt cancellation markings to distinguish them legally from the real article. Sadgrove's engraving work appears across several denominations in the RBA's production history, and the use of a named engraver on what is essentially an internal training instrument reflects how seriously the Bank treated even non-circulating material.
Paper composition rather than the polymer substrate used on genuine Australian $50 notes since 1995 is the immediate tell.