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1.000 Sucres

Uitgever Banco Comercial y Agrícola
Jaar 1907
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker American Bank Note Company
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
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Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde COMPAÑIA ANONIMA. CAPITAL S/. 5.000.000.
Banco Comercial y Agrícola
SERIE EA
A LA VISTA PAGARÁ AL PORTADOR
UN MIL SUCRES
1000
EN MONEDA CORRIENTE
Guayaquil
PRESIDENTE DEL DIRECTORIO
GERENTE
SPECIMEN
Beschrijving keerzijde The reverse is printed entirely in orange-red tones and presents, on the left half, a detailed architectural vignette of an equestrian statue set before a classical building facade with iron railings, the whole enclosed within an arched frame surrounded by fine guilloche borders. The right half carries an ornate panel with the bank's name arranged in three lines — 'BANCO', 'COMERCIAL', 'Y AGRÍCOLA' — surrounding a large blank oval, itself enclosed in layered lathe-work patterns, with the numeral '1000' repeated in the upper-right and lower-right corners.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Banco Comercial y Agrícola occupied an unusual position in Ecuadorian monetary history: a private commercial bank with the legal authority to issue circulating currency. By 1907, the bank was already deeply entangled with the country's political establishment — its directors effectively controlled public finances, a arrangement that ended badly with the 1925 Revolución Juliana, which dissolved the bank and established the Banco Central del Ecuador specifically to break that grip.

At the 1,000 sucres denomination, this note functioned more as a financial instrument between institutions than a note passing through ordinary hands. ABNC printed the series in New York, as they did for most Ecuadorian issues of the period.

MISSCHIEN OOK INTERESSANT