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| Emittent | Kuwait Currency Board |
|---|---|
| Jahr | 1961 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | P#1 |
| Vorderseitenbeschreibung | Right-facing portrait vignette of Amir Sheikh Abdullah Al-Salem Al-Sabah set against a purple guilloche underprint, with the denomination fraction 1/4 repeated in Arabic numerals at upper right and lower left corners. A central ornate cartouche carries the Arabic denomination text and issue particulars, flanked by intricate geometric border ornamentation. The board name in Arabic script appears at the top centre, with the serial number printed twice in black. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Amir Sheikh Abdullah Al-Salem Al-Sabah portrait embedded in the paper, visible when held to light |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Kuwait's Currency Board was established immediately following independence in June 1961, replacing the Indian rupee that had served as the territory's circulating currency under British protection. This first series — the only series the Currency Board ever issued before being superseded by the Central Bank of Kuwait in 1969 — was printed by Bradbury Wilkinson at their New Malden facility, a firm with a long track record of colonial and post-colonial currency work across Africa and the Middle East.
The quarter-dinar denomination is the smallest in the inaugural set. Bradbury Wilkinson's intaglio work on this series is considered among their cleaner outputs of the period.