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| 表面の説明 | Stylized radiate motif occupying the central field, rendered in a highly abstracted barbaric manner characteristic of Gothic imitative coinage. The design features bold, fan-like radiating lines spreading from a central point, flanked by a cluster of pellets to the right, possibly representing a bunch of grapes or a schematic bust. The overall execution is crude and irregular, reflecting the provincial workshop tradition of the Taman Peninsula region. No legible legend is present, consistent with the barbarian imitative series of this period. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Taman Peninsula, ancient Tmutarakan, sat at the junction of the Black and Azov Seas — a transit point between the steppe world and Greek colonial remnants. The Gothic presence there in the late third and early fourth centuries produced a coinage that borrowed heavily from degraded Roman billon prototypes, reflecting access to Roman monetary forms without Roman institutional control. These issues are poorly documented and attribution remains contested among specialists.
The pellet-and-circle ornamentation is a degeneration marker, appearing as Roman prototype legends became illegible to local die-cutters and were replaced with geometric filler.