Catalogus
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| Uitgever | Cubie & Paterson, Glasgow |
|---|---|
| Jaar | |
| Type | Log in om details te zien |
| Waarde | 1 Farthing (1⁄960) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse field carries a bold two-line inscription in raised serif capital letters reading GLASGOW above FARTHING, centred within an otherwise plain field devoid of any pictorial ornament or border legend. The denomination and place of issue are thus stated with austere directness, consistent with the utilitarian character of late eighteenth-century Scottish tradesmen's tokens. A continuous milled border encircles the entire flan, matching the treatment of the obverse. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | GLASGOW FARTHING |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Cubie & Paterson operated as a Glasgow drapery firm in the closing decades of the eighteenth century, issuing this token during the provincial copper shortage that gripped Britain through the 1780s and 1790s after the Royal Mint effectively ceased small denomination production. The Regal farthing had been discontinued in 1775, leaving trade entirely dependent on private and municipal tokens to keep commerce moving at the retail level.
The Withers reference places this piece within a well-documented Glasgow merchant token series, cross-referenced by both Dalton & Hamer and Atkins, suggesting it circulated widely enough to attract contemporary collector attention.