カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Brown on multicolour underprint. Portrait of Francisco de Oliveira Chamiço appears at left, the Portuguese Coat of Arms at lower centre, and the bank seal at right. Two overprinted inscriptions reading 'S. TOMÉ e PRÍNCIPE' in red are applied, with the decree number printed in accordance with the P#22 design lineage. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Brown on light underprint. A central circular vignette within an ornate guilloche border carries the bank name in an arc; within the medallion, a seated allegorical female figure is set against a maritime background with sailing ships. The denomination numeral '10' appears in large format at both the left and right margins. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Banco Nacional Ultramarino issued this note for Timor, one of its more remote colonial territories — a detail that matters because BNU served as the currency-issuing authority across multiple Portuguese overseas possessions simultaneously, with each territory receiving distinct note series. By the mid-1930s, Timor's economy was built almost entirely around coffee and sandalwood export, and the monetized sector was thin enough that notes of this denomination circulated alongside barter for years.
Bradbury Wilkinson's intaglio printing is characteristically fine for the period. The firm held BNU contracts across several series throughout the colonial era.