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10 Lari
| Uitgever | National Bank of Georgia |
|---|---|
| Jaar | 1999 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
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| Beschrijving voorzijde | Portrait of Georgian poet Akaki Tsereteli (1840–1915) in intaglio engraving at right, with a floral vignette of blossoms at left and a swallow in flight to the lower right. Two facsimile signatures of the President of the National Bank and the Minister of Finance appear in the central field, above the issuer inscription and date at bottom centre. The denomination numeral '10' in bold guilloche-style figures occupies the lower right, with the Georgian lettering 'ათი ლარი' alongside. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A reproduction of a fragment from David Kakabadze's celebrated painting 'Imereti. My Mother' occupies the central field, rendered in warm tonal tones. Ornamental grapevine branches extend from both the left and right margins as decorative borders, evoking traditional Georgian motifs. The denomination and bilingual inscriptions in Georgian and English appear within the composition. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
Georgia's National Bank launched a new currency series in 1995 following the catastrophic hyperinflation that had destroyed the coupon-based interim currency — the lari replaced the kuponi at a rate of one million to one. By 1999, when this note was issued, the country was still recovering from the combined economic damage of two separatist conflicts in Abkhazia and South Ossetia, and CBN in Ottawa had been contracted to produce the series at a time when Georgia had no domestic printing capacity worth the name.
The Canadian Bank Note Company's involvement was a practical choice driven by security and infrastructure, not prestige.