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| 表面の説明 | Intaglio portrait of writer James Joyce (1882–1941) at right, set against a guilloche background panel in green tones; the central vignette carries a detailed cartographic rendering of Dublin Bay and its coastline in brown and blue underprint, overlaid with the Irish harp arms device at lower centre. Two facsimile signatures with their respective titles in Irish appear at left. The bank name and denomination are inscribed in Irish across the face of the note. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | 14.07.1993 - 27.04.1994 - Doyle & Cromien 13.03.1995 - 02.07.1999 - O'Conaill & Mullarkey |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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| コメント |
Robert Ballagh, better known as a painter and graphic artist than a banknote designer, was commissioned to redesign the entire Irish pound series in the late 1970s — a deliberate cultural choice to move away from the Britannia-influenced imagery inherited at independence. The resulting series, of which this note is part, was among the first in the world to feature living Irish artists' work adapted directly for currency production.
Two signature combinations appear across the series run, reflecting personnel changes at the Central Bank. The Doyle/Cromien pairing covers the earlier dates; O'Conaill/Mullarkey takes over from March 1995 through the note's final dated issue before euro transition preparations began in earnest.