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| 正面描述 | At centre-left, a vignette portrait of the Tajik Sufi mystic, thinker and poet Mir Sayid Ali Hamadoni (1314–1384) is rendered in intaglio, accompanied by a writing ink tray and paper as symbolic attributes of scholarship. The underprint carries guilloche patterning in the note's predominant colour, with the denomination and issuing bank name inscribed in Tajik Cyrillic script. |
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| 背面铭文 | NATIONAL BANK OF TAJIKISTAN TEN SOMONİ Ҳар кӣ моро ёд кард, эзид мар-ӯро ёр бод, Ҳар кӣ моро хор кард, аз умр бархурдор бод. Ҳар кӣ андар роҳи мо хоре фиканд аз душанӣ, Ҳар гуле, к-аз боғи васлаш бишкуфад бехор бод. Дар ду олам нест моро бо касе гарди ғубор, Ҳар кӣ моро ранҷа дорад, роҳаташ бисёр бод. БАРОИ ҚАЛБАКӢ СОХТАНИ БИЛЕТҲОИ БОНКИ МИЛЛИИ ТОҶИКИСТОН МУВОФИҚИ ҚОНУН ҶАЗО ДОДА МЕШОВАД (Translation: Whoever remembers us, let him help us. Whoever humiliates us, let him enjoy life. Whoever oppresses us in our way, Let every flower that blooms in the garden of its blossom be fruitless. In two worlds we are not dusted with anyone, Whoever hurts us will be happy. Counterfeit banknotes of the National Bank of Tajikistan shall be punished in accordance with the law) |
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Tajikistan adopted the somoni in 2000, replacing the Tajik ruble at a rate of 1000 to 1 — a straightforward redenomination following a decade of catastrophic inflation rooted in the civil war of 1992–1997. The somoni itself was named after Ismoil Somoni, the 9th-century Samanid ruler whose symbolic importance to Tajik national identity was deliberately invoked during a period when the newly independent state was still consolidating legitimacy.
The P#24A designation indicates a design revision from the earlier P#24 issue; differences between iterations in this series are typically confined to security feature updates rather than substantive redesign. Tajik banknotes of this period were printed by Giesecke & Devrient of Germany.