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100 000 Guaranies
| Uitgever | Banco Central del Paraguay |
|---|---|
| Jaar | 2007-2011 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
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| Beschrijving voorzijde | Green, yellow-brown and multicolour underprint with intricate guilloche patterning frames a central portrait vignette of Jesuit martyr San Roque González de Santa Cruz (1576–1628), with the issuer name arching across the top and denomination expressed in both numerals and words at the upper corners. A vertical red serial number is positioned at left alongside a see-through security window with lion motif and an embedded security thread, while a horizontal black serial number appears at right. The two official Paraguayan coats of arms flank the lower centre, with the full legal tender inscription and authorising legislation running along the lower margin. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Multicolour; a vignette of the Itaipú hydroelectric dam occupies the left portion of the note, rendered against a background of stylised ñandutí lace guilloche work that extends across the centre-right. The country name is inscribed at top, the face value in numerals at left and in combined numerals and letters at right, with the denomination additionally rendered in the Guaraní language along the lower margin. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
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| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
The 100,000 Guaraní denomination was introduced partly in response to chronic inflation eroding the utility of lower-value notes, though Paraguay's inflation had actually stabilized considerably by the mid-2000s — the note's creation reflected accumulated depreciation over prior decades rather than any acute crisis at the time of issue. Having two printers, Crane in the United States and Oberthur in France, producing the same series is not unusual for central banks hedging against supply disruptions, but it does mean collectors should expect subtle differences in ink saturation and paper feel between print runs.