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| Uitgever | Banco Central do Brasil |
|---|---|
| Jaar | 1990 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Casa da Moeda do Brasil, Brazil |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The left portion of the reverse carries a vignette representing the world of childhood — evoking fantasy, learning, and imagination. The right side is filled with reproductions of drawings executed by Meireles herself, drawn from her scholarly studies on Brazilian folklore, popular songs, and traditional dances, composing a unified decorative panel. |
| Opschrift keerzijde | 100 100 CEM CRUZEIROS (Translation: 100 Hundred Cruzeiros) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
This note belongs to the short-lived Cruzeiro series reintroduced in March 1990 under the Collor Plan — one of the most aggressive monetary shock programs in Brazilian history. President Collor's government froze approximately 80% of all private financial assets overnight, meaning enormous quantities of newly printed Cruzeiro notes sat locked in bank vaults rather than circulating freely. The 100 Cruzeiros denomination was effectively obsolete within two years as inflation continued to erode purchasing power.
The print run of just over twelve million is modest by Brazilian standards of the period, when hyperinflationary conditions routinely demanded replenishment runs of nine-figure quantities for higher denominations.