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100 Euros Hestia

Uitgever Bank of Greece
Jaar 2025
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Round
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
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Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
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Beschrijving keerzijde A draped female figure, identified as Hestia, goddess of the hearth in Greek mythology, is depicted seated in profile on a high-backed throne, rendered in a style inspired by ancient Greek red-figure vase painting. She raises her right arm to hold aloft a flowering branch, her robes falling in elegant folds around her form. To the left of the figure, the name ΕΣΤΙΑ appears vertically above the date 2025, accompanied by a decorative floral mintmark. The legend ΕΛΛΗΝΙΚΗ ΜΥΘΟΛΟΓΙΑ curves along the upper right of the field. A continuous Greek key (meander) border encircles the entire composition, and the engraver's initials appear in the lower right of the field.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Plain
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Hestia is the rarest of the twelve Olympians on Greek coinage — her cult had no temple in Athens and she received no festival, which made her an unusual but deliberate choice for a modern numismatic issue. The Bank of Greece has issued collector gold in this format as part of an ongoing Olympian gods series, with each release tied to a specific deity.

The .9999 fineness places this above the traditional .900 gold standard used for Greek circulation coinage of the 19th and early 20th centuries — a specification chosen specifically for the bullion and collector market rather than any circulating monetary function.

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