目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Two standing male youths flank the central vignette, each leaning on a staff, with a classical female head in relief at the bottom centre framed by ornamental scrollwork. The denomination CENT FRANCS and the payability clause PAYABLES A VUE, AU PORTEUR appear in bold intaglio lettering at centre, above three signature lines with Arabic equivalents below. A black vertical overprint reading TUNISIE appears along the left margin, and two circular warning medallions are placed symmetrically on either side of the central text. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A standing male figure is positioned at the left border and a standing draped female figure at the right, with two mythological beast vignettes at the bottom centre flanking a central female profile portrait in medallion format, a crescent device above. The overall composition is rendered in fine intaglio engraving with guilloche patterned borders. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Banque de l'Algérie, established in 1851 as a colonial institution with note-issuing privileges, operated under close oversight from the Banque de France — and it shows in the production values here. Wullschleger was among the more technically accomplished intaglio engravers working in France during this period, and his work on this series reflects the full capabilities of the Imprimerie de la Banque de France's plate work rather than any colonial shortcut.
Harang, who exhibited under the pseudonym Cabasson, brought an academic painter's sensibility to banknote design — an unusual crossover for the period. The 1908–1911 window of issue predates the significant monetary disruptions that the First World War would bring to Algeria's currency supply, when note shortages prompted emergency issues from municipal chambers of commerce across the territory.