Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
100 Gulden
| Uitgever | Centrale Bank van Suriname |
|---|---|
| Jaar | 1957 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#114 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The colonial coat of arms of Suriname occupies the central vignette, flanked by two indigenous male figures as supporters carrying a shield charged with a sailing ship. Below the shield, a ribbon bears the national motto in three parts. A serial number composed of one letter and six digits appears on the note, and a panel at the lower centre contains the text of Article 260 of the Dutch Wetboek van Strafrecht pertaining to the forgery and misuse of banknotes. |
| Opschrift keerzijde | 100 JUSTITIA - PIETAS - FIDES 100 SURINAAMS WETBOEK VAN STRAFRECHT (Translation: 100 Justice - Piety - Faith 100 Suriname's Criminal Code) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Suriname's 1957 series was printed while the territory still operated as an autonomous country within the Kingdom of the Netherlands — the constitutional arrangement established under the 1954 Charter. Enschedé in Haarlem had handled Dutch colonial and semi-autonomous currency work for decades, and the continuity of that relationship was as much political as logistical.
C.A. Mechel's engraving credit appears on notes from multiple Enschedé-produced series of this period, suggesting he worked as a house engraver rather than as an independent contractor brought in for a specific commission.