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100 Kroner Flagstad, polymer pattern
| Emittent | Norges Bank |
|---|---|
| Jahr | 1995 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Norges Bank's Printing Works (Norges Banks Seddeltrykkeri), Norway (1816-2007) |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Intaglio portrait of soprano Kirsten Flagstad at right, wearing a wide-brimmed hat, set against a multicolour geometric guilloche underprint. Denomination numeral 100 appears at lower left and upper right, with bank name vertically at far right. A diagonal grey overprint reads PRØVETRYKK UTEN VERDI across the face. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Aerial vignette of the main auditorium of the Folketeater in Oslo rendered in fine intaglio line work, viewed from above, occupying the central field against a complex guilloche underprint in red and blue tones. Denomination numeral 100 appears upper right with date 1995 below, and two facsimile signatures appear to the right of the vignette. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Norway's mid-1990s polymer trials were part of a quiet but serious internal debate at Norges Bank about whether to shift substrate entirely — a debate that ultimately concluded in favor of staying with cotton paper. This piece is one of the pattern notes produced during that evaluation, never intended for circulation. Flagstad refers to Kirsten Flagstad, the Norwegian soprano, whose image the production series used as its design anchor.
The note was printed in-house at Norges Banks Seddeltrykkeri in Oslo, one of the few European central bank printing works still producing its own currency at that time. That facility closed in 2007.