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100 Manat
| Emittent | Central Bank of Turkmenistan |
|---|---|
| Jahr | 2014 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | At right, a portrait vignette of Oguz Han Türkmen in three-quarter view, wearing a traditional horned headdress, set against a multicolour guilloche underprint. At centre-left, the national coat of arms of Turkmenistan is accompanied by a map of the country rendered in pale tones. The denomination numeral '100' appears in red at lower left, with the issuing bank name and legal tender inscription running along the lower margin. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | A central architectural vignette presents the Oguzhan Palace complex in Ashgabat, rendered in fine detail with its gilded domes and colonnaded facade against a light guilloche background. The denomination '100' appears in the upper right corner and again in large numerals at lower right, with a band of traditional Turkmen carpet-pattern ornament running along the lower margin. Bank name and the national motto 'XXI ASYR – TÜRKMENIŇ ALTYN ASYRY' are inscribed across the upper portion of the note. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Thomas De La Rue has handled Turkmenistan's banknote production since the manat's reintroduction in 2009, when the Central Bank replaced the first-generation manat at a rate of 5,000 to 1 — a redenomination that effectively erased the inflationary damage accumulated through the Niyazov years. The 2014 date places this note in the second year of Gurbanguly Berdimuhamedow's consolidated print run for the redesigned series.
Security is modest for a high denomination: watermark and thread only, with no optically variable ink or color-shifting elements. Unexceptional for the period from this printer, but worth noting on a 100-manat note.