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100 Pounds
| Uitgever | Central Bank of Ireland |
|---|---|
| Jaar | 1996 |
| Type | Log in om details te zien |
| Waarde | 100 Pounds (100 Punt) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Banc Ceannais na hÉireann Céad Punt (Translation: Central Bank of Ireland One Hundred Pounds) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Central Bank of Ireland £100 One Hundred Pounds |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Robert Ballagh designed this note — a somewhat unusual choice, given that he was primarily known as a painter and printmaker with an explicitly political edge, not a conventional banknote artist. His involvement reflected a deliberate push by the Central Bank in the 1970s and 1980s to commission Irish artists rather than default to established security printers' in-house design teams.
By 1996, the Irish pound was already living on borrowed time. The euro transition was less than six years away, and high-denomination notes like this one saw relatively limited everyday handling — mostly institutional and banking use. Survivors in genuinely circulated condition are proportionally rarer than lower values from the same series.