Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
1000 Pesetas
| Uitgever | Banco de España |
|---|---|
| Jaar | 1965 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Peseta (1868-2001) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central vignette presents a bust portrait of San Isidoro of Seville (c. 560–636), rendered after the painting by Bartolomé Esteban Murillo, set against fine guilloche underprint work. The Coat of Arms of Spain appears to one side, with the denomination numeral 1000 repeated in the surrounding design. The date of issue and full payment clause are inscribed across the lower portion of the note, accompanied by three manuscript facsimile signatures. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Watermark in the form of the head of San Isidoro, visible when the note is held to light. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The signature of Mariano Navarro Rubio is historically notable here: he served as Finance Minister under Franco from 1957 and was one of the architects of the 1959 Stabilization Plan, which dismantled the autarkic economic model Spain had maintained since the Civil War. His name on this note places it squarely within the technocratic Opus Dei period that pulled Spain into the orbit of Western European economic institutions.
Lavrillier's involvement on the reverse engraving is a borrowing from an earlier design generation — the French engraver died in 1958, so his credit reflects plate work carried forward rather than any new commission for this issue.