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20 Afghanis
| Uitgever | Da Afghanistan Bank |
|---|---|
| Jaar | 1961 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Cotton paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | د افغانستان بانک |
| Beschrijving keerzijde | The central vignette presents a detailed engraved view of the Istiqlal (Independence) Monument in Kabul, a tall column rising above a landscaped plaza with surrounding low structures and trees. The bank name in Dari script is inscribed at the upper right, with the denomination numeral repeated at lower right in Eastern Arabic script. The note border is composed of repeating geometric and floral guilloche patterns in blue. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Da Afghanistan Bank's early note issues were produced almost entirely by Thomas De La Rue through the 1950s and into the 1960s, a relationship that reflected both the printer's dominance in Commonwealth and post-colonial central bank contracts and Afghanistan's own limited domestic printing capacity at the time. This 1961 issue falls within a politically stable window — the reign of Mohammad Zahir Shah — before the coups and currency dislocations that would progressively complicate Afghan monetary administration from the early 1970s onward.
The watermark is the sole mechanical security feature, which was not unusual for De La Rue's lower-denomination contracts of the period.