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20 Francs Black text
| Emittent | Banque de l'Indo-Chine |
|---|---|
| Jahr | 1928-1938 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Banque de France, France |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Multicolour intaglio print with yellow underprint and black text; a female allegorical bust in three-quarter view faces left at right, crowned with a wreath of oak leaves and wheat ears. An oval watermark reserve occupies the left field. The denomination appears at bottom centre within a red guilloche panel. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Blue intaglio print with yellow underprint; a peacock (Phasianidae sp.) perched on a branch occupies the left field facing right, with butterflies (Papilionoidea sp.) in the upper right corner. Denomination and legal warning text appear in French, Arabic, and Amharic scripts. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Banque de l'Indo-Chine issued several closely related 20 Francs types across this period, and P#7B is distinguished primarily by its black text — a detail that separates it from the earlier blue-text variant (P#7A) rather than signaling any fundamental redesign. The plates were prepared by the Banque de France's own printing workshops in Paris, which handled colonial currency with the same technical standards applied to metropolitan French issues.
Ernest Deloche was a prolific Banque de France engraver; Marguerite Dreyfus, who signed her work as "Rita," was among the relatively few women engravers working at that level in interwar Paris.