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| 表面の説明 | Violet tint over a multicolour guilloche underprint, with an oval portrait vignette of Joaquim Francisco de Assis Brasil at left, his name inscribed beneath. The central field carries a large ornate numeral '20' within an elaborate guilloche panel, surmounted by the legend 'VINTE MIL REIS' and a block of typeset text citing the authorising law and decrees. Series letter 'E' appears at lower left, serial numbers at upper right and lower left, the date 'Porto Alegre, 1º de Maio de 1933' at lower centre, and the printer's imprint along the bottom margin. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Printed in light brown, the reverse centres on a vignette of the neoclassical State Treasury building in Porto Alegre, rendered in a frontal elevation with a colonnaded portico and dome, enclosed within an elaborate frame of scrollwork and guilloche ornament. Large denomination numeral '20' occupies circular roundels at left and right within the decorative border. The issuer's title runs along the top and bottom margins, with the printer's imprint at the lower edge. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Rio Grande do Sul's state treasury notes of the 1930s occupy an awkward constitutional grey zone. After Getúlio Vargas — himself a gaúcho — seized power in 1930, the federal government moved to suppress regional financial autonomy, yet the southern states continued issuing quasi-fiscal instruments under the cover of "bônus" and "vales" rather than banknotes proper. This Series E piece sits in that brief window before Vargas's 1933–34 centralization measures effectively ended state-level paper issuance.
Lithografia da Livraria do Globo was Porto Alegre's most capable commercial printer, not a security press. The lack of intaglio work is a known vulnerability of the entire series.