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200 Zlotych
| Emittent | Narodowy Bank Polski |
|---|---|
| Jahr | 2015-2021 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Andrzej Heidrich |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Intaglio portrait of Zygmunt I Stary (Sigismund I the Old) in right-facing profile at center-right, rendered in fine engraved detail against a guilloche underprint in olive and brown tones; the Polish Eagle coat of arms appears to the upper right of the portrait, with the denomination numeral 200 in large letterpress at the left margin. The date of issue, place of issue (Warszawa), and facsimile signatures of the President and Treasurer of Narodowy Bank Polski appear at lower left, with the designer and engraver credits printed at the lower right margin. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark, Security thread, Hologram |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The 200 Zlotych is part of the long-running series designed by Andrzej Heidrich, who was responsible for virtually every significant Polish banknote issued between the 1970s and his death in 2019 — a span of creative output almost unmatched by any single designer in European central banking. The series to which this note belongs underwent incremental security upgrades across the 2015–2021 date range rather than a full redesign, which is why multiple signature combinations exist within the same pick number.
Terry Chipper's engraving work on Polish notes of this period reflects a continuation of the intaglio tradition that Heidrich's designs were specifically built around.