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5 Dollars
| Uitgever | Bank of Canada / Banque du Canada |
|---|---|
| Jaar | 1954 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
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| Beschrijving voorzijde | Blue-black intaglio print on a pale underprint with fine guilloche work. At centre, the denomination numeral '5' appears within an ornate guilloche vignette flanked by bilingual inscriptions 'FIVE DOLLARS' and 'CINQ DOLLARS'; the issuer name 'BANK OF CANADA — BANQUE DU CANADA' is rendered in letterpress across a dark panel below centre. A right-facing portrait vignette of Queen Elizabeth II in formal attire occupies the right portion of the note, with a serial number printed in red appearing twice across the upper field. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | P#77a - Beattie and Coyne signatures P#77b - Beattie and Rasminsky signatures P#77c - Bouey and Lawson signatures |
| Opmerkingen |
The 1954 series is best known for the so-called "Devil's Face" controversy: in the original printing, highlights in the Queen's hair behind her ear were read by the public as a demonic profile. The Bank of Canada dismissed the claim initially, but public pressure was sufficient that the hair engraving was quietly modified in 1956, creating the two distinct varieties collectors now distinguish as Devil's Face and Modified. The modified notes are far more common; unmodified examples carry a premium across all denominations in the series.
Three signature combinations span the note's long production run, reflecting successive Governor appointments — Coyne, then Rasminsky, then the Bouey/Lawson pairing from the 1970s.