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5 Francs Without decrees

Uitgever Banque de l'Indo-Chine
Jaar 1923
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen 141 × 106 mm
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Green intaglio print on white paper with black text and serial numbers. Central vignette shows an allegorical standing female figure holding a caduceus, gazing downward toward a seated Asian woman at left, rendered in a classical academic style. Trilingual inscriptions appear in French, Arabic, and Amharic, with the denomination numeral flanked by guilloche borders.
Opschrift voorzijde BANQUE DE L`INDO-CHINE ۵ ፭ DJIBOUTI, le 1er Août 1923. CINQ FRANCS خمسة فرنك አምስት ፍራንክ PAYABLES EN ESPÈCES AU PORTEUR Un Administrateur Le Directeur 5 DANIEL DUPUIS ET GEORGES DUVAL FEC A LEVEILLE SC
(Translation: Bank of Indochina. 5. Djibouti, August 1st., 1923. Five francs. Payable in cash to bearer. An administrator, the director.)
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The "Without decrees" designation distinguishes this issue from earlier 5 Francs notes of the same series that bore printed authorization decree dates on the face — a bureaucratic requirement phased out as the colonial bank's legal footing became more settled. Banque de France printed this for the Indochina subsidiary, which was standard practice; the metropolitan printing house handled nearly all BIC paper through this period.

Dupuis's engraved work was well regarded in French numismatic circles — he was also responsible for medal and coin designs for the Third Republic. Léveillé's intaglio work on this note reflects the same technical standards applied to domestic French issues of the same decade.

MISSCHIEN OOK INTERESSANT