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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | 5 DANMARK 5 FEM KRONER VEXLES MED GULDMØNT I HENHOLD TIL LOV AF 12 JULI 1907 § 7 NATIONALBANKEN I KJØBENHAVN The year 2 signaturs and number repeted twice (Translation: Exchanged with gold according to law of 12th July 1907 § 7) |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | P#20a - 1912 without series P#20b - 1915 / series A P#20c - 1917 / series A P#20d - 1917 / series B P#20e - 1918 / series B P#20f - 1918 / series C P#20g - 1920 / series C P#20h - 1920 / prefix D P#20i(1) - 1922 / series D signatures: Lange & Lund P#20i(2) - 1922 / series D signatures: Lange & Bruhn P#20j - 1922 / series E P#20k - 1924 / series E P#20l - 1924 / series F P#20m - 1926 / series F P#20n - 1926 / series G P#20o - 1928 / series G P#20p - 1929 / series G P#20q - 1929 / series H |
| コメント |
Gerhard Heilmann was primarily known as an ornithologist — his 1926 book on the origin of birds remains a landmark in paleontology — and his work for Nationalbanken represents a rare crossover into applied graphic arts. The designs he produced for this series were considered sufficiently successful that the basic type remained in service across nearly two decades, an unusually long run for Danish paper currency of the period.
The dual-signature variants under Lange reflect a mid-series change in bank administration: Lund preceded Bruhn as co-signatory, making series D notes attributable to a fairly narrow window in the early 1920s.