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5 Rupiah
| Emittent | Bank Indonesia |
|---|---|
| Jahr | 1952 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Intaglio-printed in blue on a multicolour guilloche underprint, the obverse carries a three-quarter portrait vignette of a young Javanese woman in traditional dress and hair ornament at the left, set against fine lathe-work, with two cranes in flight rendered above the central panel. The bank name and denomination in large letterpress type are flanked by a radiating sunburst guilloche medallion, with the date 1952 below. Two facsimile signatures at the base are captioned DIREKTUR and GUBERNUR respectively, with designer and printer credits in the lower margin. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Thomas De La Rue printed the entire 1952 Indonesian series under a contract arrangement that reflected the young republic's lack of domestic printing infrastructure — Bank Indonesia had only been established in 1953, and notes like this were already in circulation before the central bank formally existed, issued under transitional authority.
Mechelse's involvement as designer is the genuinely unusual detail here. A Dutch national working for a former colonial subject state so shortly after independence was not without political friction, and his name appearing in the margins of Indonesian currency in 1952 says something about the practical compromises of decolonization that no official record quite captures.