Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
5 Schillinge
| Uitgever | Oesterreichische Nationalbank |
|---|---|
| Jaar | 1925 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 153 × 81 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Fünf Schillinge Wien, am 2. Jänner 1925 Oeſterreichiſche Nationalbank DIE NACHMACHUNG DER BANKNO- TEN WIRD GESETZLICH BESTRAFT. 5 |
| Beschrijving keerzijde | The reverse is dominated by a large central guilloche vignette rendered in blue-green intaglio, incorporating stylized floral and figural ornamental motifs arranged symmetrically. Elaborate geometric lathe-work panels flank the central design, with the numeral 5 printed in the upper left and upper right corners. The serial number appears in red at the lower portion of the note. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Oesterreichische Nationalbank was itself only founded in 1923, a direct consequence of the League of Nations-supervised stabilization program that ended Austria's catastrophic post-WWI hyperinflation. This note belongs to the bank's first substantive series — issued before Austria had fully rebuilt public confidence in paper currency, which the preceding years of crown inflation had thoroughly destroyed.
Rudolf Junk was a prolific Viennese graphic artist; Karl Sterrer a figure painter trained at the Vienna Academy. An unusual pairing for banknote work, and it shows in a design sensibility that leans more toward applied arts than the engraved intaglio tradition common to contemporary European issues.