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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The central design is dominated by an elaborate multicolour guilloche rosette composed of interlocking lathe-work bands in gold, green, and rose tones, incorporating a stylised Buddhist eternal knot motif at its core. The denomination numeral 5 appears in each corner, with the date 1966 set within a cartouche at the top centre. Vertical panels on either side carry the denomination in traditional Mongolian script, and a fine engine-turned underprint covers the entire field. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | Circles forming a 6-petaled flower-like pattern |
| 变体 | 登录 以查看详情 |
| 备注 |
Mongolia's 1966 banknote series was designed entirely by domestic artists — Ts. Minjuur and D. Tserenpil — a deliberate assertion of cultural independence within the Soviet orbit, at a time when many satellite-state currencies were effectively farmed out to Goznak or other bloc printing houses. Whether Goznak ultimately printed this series is a separate question; the design credit, unusually, stayed Mongolian.
The series ran across fifteen years without a redesign, which points to extreme monetary stability — or, more accurately, the kind of price rigidity that comes with a fully centrally planned economy where the tögrög's domestic purchasing power was administratively fixed.