Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
50 Francs
| Uitgever | Banque de l'Algérie |
|---|---|
| Jaar | 1908 |
| Type | Log in om details te zien |
| Waarde | 50 Francs (50 TNF) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse is printed in blue and centres on a large numeral 50 within an ornate guilloche oval, surrounded by elaborate scrollwork and floral arabesques. Four allegorical portrait medallions are disposed at the cardinal points of the oval — two female busts at upper left and upper right, and two further portrait vignettes at lower left and lower right — each framed within decorative cartouches. The denomination numeral 50 repeats in each outer corner, and two legal warning panels flank the central design. |
| Opschrift keerzijde | L'ARTICLE 139 DU CODE PENAL PUNIT DES TRAVAUX FORCES A PERPETUITÉ LE CONTREFACTEUR CH-CABASSON, INV ET DEL, 1875. A-V BERTRAND SCULP |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Banque de l'Algérie was established in 1851 as a colonial institution with the note-issuing monopoly for French Algeria, operating under close oversight from Paris rather than functioning as a true central bank. By 1908, the bank had been printing its higher denominations through the workshops of the Banque de France — a common arrangement for French colonial note production of this period, though the institutional relationship remained formally distinct.
Harang, who worked under the pseudonym Cabasson, was a prolific contributor to French colonial fiduciary engraving in the late nineteenth and early twentieth centuries. Bertrand's intaglio work on this series is considered technically accomplished for its date.
Pick lists only a handful of surviving confirmed examples for P#3.