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| 表面の説明 | Uniface note printed in brown and black on cream paper, with an ornamental border composed of musical notes designed by J.M. Fleischman. The face carries typeset text in Dutch stating the denomination and payment obligation, with ruled lines serving as a decorative underprint element. Signature varieties exist, with manuscript signing in the designated areas. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is unprinted, consistent with the uniface production of this issue. The image shows the obverse text bleeding through the thin paper in mirror image, revealing the musical-note border and typeset legends in reverse, with no intentional design elements on this side. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Curaçao paper money issues of the 1820s emerged from a genuinely unusual colonial monetary situation. The island had no central bank — notes were authorized by the local colonial administration under Dutch authority, circulating alongside Spanish-American silver coins that dominated everyday trade. A 50 Gulden denomination was a large-value instrument in this setting, almost certainly used for merchant transactions rather than retail commerce.
The Plomp reference places this among the earliest documented paper issues for the territory, and surviving examples are exceptionally rare. Most colonial Caribbean paper from this period was redeemed, destroyed, or simply consumed by the climate.