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| 表面の説明 | Central vignette composed of a triptych portrait of three young women representing Eritrea's nine nationalities, rendered in intaglio against a multicolour guilloche underprint. A flag-raising scene appears as a secondary vignette, evoking national independence. Denomination numeral '50' appears in the corners, with the issuer name and legal tender inscriptions framing the composition. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
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Eritrea's 1997 series was the country's first domestically issued currency following independence from Ethiopia in 1993 — the nakfa itself named after the northern town of Nakfa, which the EPLF held throughout the long liberation war and came to symbolize resistance. Giesecke & Devrient had a long record of printing currencies for newly independent African states, and Eritrea's assignment to their Leipzig facility reflected standard post-reunification consolidation of the firm's East German operations.
Clarence Holbert's involvement is worth noting — he worked extensively on African currency design through this period, producing work for multiple issuing authorities. The security specification here is modest: a single watermark, no metallic thread, no color-shifting ink. Practical for a young central bank with limited procurement budget.