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50 Pesos

Uitgever Banco Nacional de las Provincias Unidas del Río de la Plata
Jaar 1834
Type Log in om details te zien
Waarde 50 Pesos
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
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Beschrijving voorzijde The obverse is laid out with ornate calligraphic script throughout. At upper left, the denomination '50 PESOS' is inscribed, while the bank title 'Banco Nacional de las Provincias Unidas del Río de la Plata' arcs across the upper portion flanking a central Argentine coat of arms vignette. To the left, a classical allegorical group of seated female figures appears, and the text 'Promete pagar al portador y a la vista CINCUENTA PESOS en Moneda Metálica' is set in the body of the note, with 'BUENOS AYRES' and signature lines for Contador and Presidente at the lower register.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The reverse is unprinted or bears only a plain paper surface, as is typical for early Argentine provincial banknotes of this period.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Banco Nacional de las Provincias Unidas del Río de la Plata was established in 1826 under Bernardino Rivadavia's short-lived reform program, and its notes were intended to finance a unified national state that never fully materialized. When Rivadavia fell from power in 1827 and the unitarian project collapsed, the bank continued operating under provincial authority in Buenos Aires — a significant institutional demotion reflected in the increasingly local character of its later issues.

By 1834 the bank was on borrowed time, liquidated the following year under the Rosas administration. Notes from this terminal period were printed locally rather than commissioned abroad, which accounts for the comparatively crude typography found across the PS#373 series.

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