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50 Pula

Uitgever Bank of Botswana
Jaar 2005
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen 150 × 75 mm
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Portrait of Sir Seretse Khama at left centre, rendered in intaglio against a multicolour guilloche underprint. At centre, a vignette of a malachite kingfisher in full colour is flanked by the denomination numeral 50 and a latent-image security patch. The Bank of Botswana coat of arms appears at upper right, with the legal tender clause and denomination legend printed across the lower centre field.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Central vignette of a poler standing in a traditional mokoro canoe on the Okavango Delta waterway, with an African fish eagle in flight occupying the right field against a background of papyrus reeds and open water rendered in multicolour intaglio and lithography. The denomination numeral 50 appears at both left and right margins within ornate guilloche borders. A vertical security thread is visible through the paper at centre.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The 2005 Botswana 50 Pula (P#28) falls within the second major design series issued by the Bank of Botswana, which had by that point accumulated three decades of central banking experience since the Pula replaced the Rand at par in 1976. Thomas De La Rue's involvement with Botswana's currency dates to the earliest issues — an unusually long-running relationship for an African central bank that has never shifted printers.

Security provision on this note is relatively modest by mid-2000s standards: a security thread and watermark only, without the optically variable ink or holographic features De La Rue was fitting to higher-denomination notes elsewhere at the time.

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