目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Pale green monochrome design with a central landscape vignette of mountainous terrain and a waterfall. Left panel carries an ornate columnar guilloche border with the inscription WUSHI YUAN in a central medallion and numeral 50 at the base. The date 1999 appears in a diamond-shaped panel at the lower centre, with multilingual text at lower right. |
| 背面铭文 | HELLBANKNOTE 50 WUSHI YUAN 1999 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
Hell banknotes are votive offerings burned at Chinese funerals and ancestor veneration ceremonies so that the deceased may have spending money in the afterlife. The practice adapts an ancient tradition of burning paper goods — itself a substitute for the earlier burning of actual valuables — and by the late twentieth century had produced an entire parallel economy of ghost currency, complete with issuing "banks," denominations, and serial numbers mimicking real monetary instruments.
The Bank of Hades imprint became one of the most widely reproduced formats in the genre. The 1999 date places this within a period of significant commercial expansion in the manufacture and export of spirit money, particularly out of Hong Kong and Guangdong.