目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | Multicolour intaglio and letterpress note with dark blue numerals and inscription text. The central vignette to the right presents two women in traditional dress — one Martinican and one Guadeloupean — posed before the harbour of Pointe-à-Pitre. Serial numbering and signature are rendered in black letterpress. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Multicolour intaglio vignette showing bullock carts laden with harvested sugar cane in a tropical agricultural scene. A yellow cartouche at the foot of the note carries the statutory anti-counterfeiting warning referencing Article 139 of the Penal Code, engraved by Hourriez. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Caisse Centrale de la France d'Outre-Mer was established in 1944 to manage currency across French overseas territories as they were reintegrated into the monetary system following occupation and wartime disruption. This 500 Francs issue circulated across a remarkably wide geographic range — the same notes were legal tender simultaneously in territories spanning the Caribbean, Indian Ocean, and Pacific, differentiated only by overprint or issue stamp depending on the territory.
Clément Serveau was a prolific designer for French colonial issues, and Beltrand's engraving work for the Banque de France was among the most technically accomplished of the postwar period. The 1949 date places this note in the brief window before the CFA franc and CFP franc zones began diverging administratively, after which unified issues like this became impractical.