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500 Lei
| Uitgever | Banca Națională a României |
|---|---|
| Jaar | 1924 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Imprimerie de la Banque de France |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Two seated allegorical female figures in Romanian peasant dress flank the central vignette: at left, a woman with a distaff, and at right, a nursing mother with infant. The bank title "BANCA NATIONALA A ROMANIEI" runs across the top, with the denomination "500" at each upper corner and "CINCI SUTE LEI" in large letters across the centre. Signature lines for the Governor, Director, and Chief Cashier occupy the lower central area, with the date 19-VI-12-24 and the painter and engraver credits — "PEINT PAR CLEMENT SERVEAU" and "GRAVÉ PAR RITA" — printed at the lower margin. |
|---|---|
| Opschrift voorzijde | BANCA NATIONALA A ROMANIEI CINCI SUTE LEI GUVERNATOR DIRECTOR CASIER CENTRAL 19-VI-12-24 PEINT PAR CLEMENT SERVEAU GRAVÉ PAR RITA |
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| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
Romania's postwar inflation crisis of the early 1920s pushed the National Bank toward Paris for printing capacity it could not supply domestically. This 500 Lei was produced at the Banque de France's own print works — an arrangement that carried real institutional prestige, since the BdF did not take commercial printing contracts lightly.
Clément Serveau was a noted French illustrator and poster artist, an unusual choice for banknote design work. The obverse intaglio was engraved by Marguerite Dreyfus, known professionally as Rita — one of the very few women working at that level in European security printing at the time.