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| Uitgever | Banca Națională a României |
|---|---|
| Jaar | 1936-1940 |
| Type | Log in om details te zien |
| Waarde | 500 Lei |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | At left, a portrait vignette of King Carol II in military uniform is framed within a fine guilloche border, beneath the bank title "BANCA NATIONALA A ROMANIEI" in letterpress across the top. The denomination "CINCI SUTE LEI" is inscribed in large text at centre, with the royal coat of arms positioned above, flanked by the manuscript signatures of the Guvernator and Casier Central. Serial number and date appear in the lower portion of the note, with the numeral "500" repeated at the lower corners. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | ROMANIA 500 FALSIFICATORII ACESTOR BILETE, ACEI CARE VOR FI INTREBUINTAT BILETE FALSE, COMPLICII LOR, PRECUM SI ACEI CARI VOR FI INCERCAT A COMITE ASEMENEA FAPTE VOR FI PEDEPSITI CONFORM LEGILOR PENALE |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Bradbury Wilkinson held the contract for several Romanian National Bank issues through the interwar period, and the P#43 series ran across an unusually long window — production spanning the years before and during the early phase of Romania's wartime political realignment. By 1940, when King Carol II abdicated under combined German and Soviet pressure, notes from this print run were still circulating. They didn't need to be withdrawn immediately; the regime changed faster than the currency.
Bradbury Wilkinson's intaglio work was consistently among the finest available to smaller European central banks. Romania's choice of a London printer rather than a domestic or French one reflects the financial relationships of the 1930s more than any technical limitation at home.