カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Dark brown on multicolour underprint. The face bears the denomination in large numerals alongside the issuance date, two authorising signatures, and the statutory gold conversion clause stating the litas content in pure gold, all set against a guilloche underprint. Text is arranged in a formal typographic layout typical of early interwar Lithuanian banknote production by Bradbury Wilkinson. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Blue on multicolour underprint. The central vignette presents the heraldic arms of the three principal Lithuanian cities — Kaunas, Vilnius, and Klaipėda — arranged at centre, framed by elaborate geometric guilloche designs filling the field. A formal anti-counterfeiting legend is inscribed across the note in Lithuanian. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The 500 Litu of 1924 belongs to Lithuania's first sovereign currency series, issued after the litas replaced the ostmark and later the ost-ruble left behind by the German wartime occupation. The litas was pegged to the U.S. dollar at 10 litu to the dollar — a deliberately conservative rate engineered to signal fiscal discipline to foreign creditors and stabilize a population that had lived through several successive currency collapses.
Bradbury Wilkinson handled the full series. Their intaglio work of this period was among the finest commercially available, and Lithuania was not unusual in turning to them — the firm printed for dozens of newly independent states scrambling to establish credible currency in the early 1920s.
At 500 litu, this was the highest denomination in the inaugural series, making surviving examples proportionally rarer than the lower values.