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500 Ðồng
| Uitgever | National Bank of Vietnam |
|---|---|
| Jaar | 1962 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Ngân-Hàng Quốc-Gia Việt-Nam Năm Trăm Đồng (Translation: National Bank of Vietnam Five Hundred Đồng) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The National Bank of Vietnam's 1962 series was among the first issues to establish a distinctly southern Vietnamese visual identity, produced as the Diem government was actively consolidating its monetary infrastructure in Saigon. Thomas De La Rue's involvement was not incidental — the firm had printed for French Indochina's predecessor institutions, and their contract with the RVN represented a deliberate continuity of technical standards at a moment when the new state needed credibility its central bank could not yet manufacture domestically.
The P#6A designation distinguishes it from the closely related P#6, the difference lying in signature combinations — a minor variation with meaningful implications for completeness in a type collection.