Catalogus
Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis
of registreer met e-mail
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
500 Pesetas / 25 Dirham
| Uitgever | Dakhla |
|---|---|
| Jaar | 1427 (2006) |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | 4 mm |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | The legend 'CABO DAKHLA' arcs across the upper periphery. A central floral motif — a decorative bunch of flowers — occupies the field. The date '2006' and the denomination '500 QUINIENTAS PESETAS' are inscribed in the lower portion of the coin. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Arabic |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Dakhla — a territory within Western Sahara under Moroccan administration — issued this piece as a local currency token rather than a nationally recognized coin. The dual denomination, pairing the Spanish peseta (long obsolete by 2006) with the Moroccan dirham, reflects the unresolved political status of the region and the competing administrative claims that have defined it since Spain withdrew in 1976.
These pieces circulated, if at all, in extremely limited geographic and commercial contexts. Most appear to have been produced for collectors rather than trade.