Katalog
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| Emittent | Corieltauvi tribe (Celtic Britain) |
|---|---|
| Jahr | 45 BC - 10 BC |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | 5.8 g |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Highly abstract and stylised laureate head derived from the classical Macedonian stater prototype, reduced to a series of sinuous relief lines, pellets, and crescentic forms distributed across the flan. The facial elements are rendered in a distinctly Celtic abstract manner, with curved lines suggesting hair wreath and facial features disintegrated into individual decorative components. A prominent crescent motif occupies the lower field, while further pellets and curved relief lines fill the remaining surfaces. The design is uninscribed and executed in the fluid, non-representational idiom characteristic of Corieltauvian gold coinage of the late Iron Age. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Plain |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Corieltauvi occupied a broad territory across what is now Lincolnshire and the East Midlands, and their coinage developed in near-isolation from the Gallo-Belgic imports that shaped tribes further south. The South Ferriby series represents a locally evolved tradition, the designs degrading through successive die generations into increasingly abstract forms — a process that was deliberate stylistic convention, not incompetence. "Transitional Type Two" places this stater at a precise evolutionary moment within that sequence, catalogued by Van Arsdell as part of a die study tracking the progressive abstraction across the series.