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| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Plain, nearly blank reverse with only faint traces of a rough incuse impression, consistent with the primitive hammered technique employed at the Populonian mint during this period. The surface bears the characteristic striations and irregular contours of a simple punch strike, with no intentional figurative design or legend. This minimalist reverse is typical of early Etruscan fractional silver coinage from Populonia, where the primary artistic effort was concentrated entirely on the obverse die. |
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| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Populonia, on the Etruscan coast near modern Piombino, was the only Etruscan city-state known to have struck its own coinage directly — a distinction tied almost certainly to its control of iron smelting operations on Elba and the metal trade networks that followed. The city's monetary production was episodic rather than continuous, responding to specific financial pressures rather than sustaining a civic mint in the Greek sense.
Tinia was the Etruscan sky deity, broadly equivalent to Jupiter, invoked here on a fractional silver denomination that served the practical needs of small-scale exchange in a port economy. The 5 asses valuation within an Etruscan bronze standard points to deliberate coordination between metal types — unusual for a mint of this scale.