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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Disjointed and highly schematized horse prancing to the right, rendered in the abstract Celtic style typical of pre-Roman British coinage. The body of the horse is fragmented into discrete geometric and organic elements, including pellets of varying sizes, a crescent or boar-head terminal, and dumb-bell shaped objects dispersed across the field. A rectangular box-like motif and multiple pellet clusters occupy the upper and lower registers. The overall composition retains the vitality of the original Hellenistic horse motif while fully embracing the abstract, non-representational aesthetic of Iron Age Brittonic die-cutting. |
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| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The so-called 'Atrebatic A' classification is a typological convenience, not a firm attribution — the tribe responsible for striking these pieces remains genuinely disputed, and the Atrebatic label reflects geographic distribution patterns in finds rather than any documentary evidence. This is coinage produced before Caesar's expeditions of 55 and 54 BC forced significant political realignments among the southern British tribes, and the electrum alloy itself tells a story of gradual debasement traceable across the broader Gaulish stater tradition from which British coinage directly descended.