Katalog
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| Emittent | Cantii tribe (Celtic Britain) |
|---|---|
| Jahr | 10 BC - 5 BC |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Gold |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Blank or nearly featureless convex obverse field, characteristic of the late Cantian gold stater series derived from the Gallo-Belgic E (Ambiani) prototype. The surface retains the broad, smooth flan typical of hammered Celtic coinage, with faint diagonal striations visible across the field — vestigial traces of the wreath motif inherited from the original Macedonian gold stater of Philip II. No legend or identifiable device is present on this face. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | VOSIINOS |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Cantii occupied the territory now recognizable as Kent, and their coinage of this period reflects increasing contact — and political pressure — from Rome in the years following Caesar's expeditions. Vosenos is known only through his coins; no Roman source names him, and his precise relationship to the other Cantian rulers issuing simultaneously remains unresolved. The tribe was unusual in producing multiple concurrent dynastic issues rather than a single unified royal coinage.
The "Dragon" classification within the Vosenos series refers to the distinctive abstract horse derivative on the reverse — a product of generations of stylistic drift from Macedonian prototypes filtered through Gaulish intermediaries before reaching British workshops.