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100 Dollars
| Emittent | Bank of Guyana |
|---|---|
| Jahr | 1999 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Dollar (decimalized, 1965-date) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | BANK OF GUYANA ONE HUNDRED DOLLARS $100 GOVERNOR(ag) MINISTER OF FINANCE THESE NOTES ARE LEGAL TENDER FOR THE PAYMENT OF ANY AMOUNT |
| Rückseitenbeschreibung | The central vignette presents a finely engraved view of the Cathedral of the Immaculate Conception (Brickdam Cathedral) in Georgetown, rendered in dark intaglio against a pale guilloche underprint, with a large tree to its right. A bold numeral medallion "$100" within concentric guilloche rings occupies the left field, while denomination numerals "$100" repeat at all four corners. The issuer name "Bank of Guyana" appears in the upper border and the written denomination "One Hundred Dollars" in the lower border, with the printer's imprint "THOMAS DE LA RUE AND COMPANY LIMITED" below. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The P#31 series was introduced as Guyana moved to consolidate its note designs following years of inflationary pressure that had effectively made lower denominations obsolete. By 1999, the 100-dollar note was doing the transactional work that much smaller values once handled — a quiet marker of how far the Guyanese dollar had slipped since the 1970s.
Thomas De La Rue's involvement goes back to Guyana's earliest post-independence issues, making this a long-running commercial printing relationship rather than anything exceptional for the series.